Next summer’s horror blockbuster is the biggest release yet to be shot with iPhones—and not even Apple’s latest model.
@jeffw@lemmy.world
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Boyle is probably the biggest name to hop on the digital hype train early on, so this isn’t super shocking.

Vanon
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Those early digital years were brutal. 28 Days Later looks worse with every passing year, probably never fixable (the cam’s resolution and quality was just too low).

Edit: Wow, it was shot in SD 480 for some reason (I thought the cam was capable of HD 720). Fantastic article, full of tech details.

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