It’s been a distressing trend over the last decade, that of taking commercial software from a paid-for licence model and moving into the cloud and onto a rental model. In out line, we’v…
“The art and design communities, in particular, are feeling the pinch from Adobe Suite going towards a rental model, and now the artist and perennial thorn in the side of anyone who seeks to own a colour, [Stuart Semple] is doing something about it. He’s launching a competing suite called provocatively, Abode, which will follow an affordable paid-for licence model.”
The Abode project seems overly optimistic in terms of scope, cost and timing to me but then I’ve never been involved in software development. Still, alternatives to the big names are always nice.
fuck adobe to the ends of the earth; their subscription thing was the most false-premise disgustingly manipulating bullshit i’ve ever seen.
i got a steady job and started renting; thinking maybe i’d even buy it if i got good. then i realized you couldn’t even buy the fucking thing! and there was “no such thing” as a monthly subscription, they just charge you monthly for a yearly subscription that is a $80 penalty to cancel [metered by how many months left]. fucking completely disgusting, parasitic horseshit that should get you tried in a military fucking tribunal in the middle of the ocean
and i got bootlickers on reddit saying this was fine!! of course it’s justified to change a yearly fee, they put it in misleading, small print when you signed up, so that’s FINE! a cancellation penalty for a FUCKING SOFTWARE DOWNLOAD
I don’t doubt that those that choose to use it prefer it. What I see time and again is someone will try it, find it missing features they want/need and revert back. I encourage the use of GIMP and other FOSS where I can. It’s just not a one to one drop in.
Agreed that it’s not a drop-in replacement. I get that professionals don’t often have time to learn new software and prefer to stick with what they know. But if they have the time and motivation, they can save some money as well as supporting FOSS.
My personal preference is Seashore for Mac, but I haven’t used macOS in a few years (not entirely by choice but because my uni is largely Windows based and it became too much to keep up with how to integrate into the ecosystem).
No, no, the existing software is imperfect, a new piece of (imperfect) software must be created to remedy to this intolerable situation. Nothing else will do.
Adobe succeeded with professionals. The problem is, it’s a de facto industry standard. If you’re not using Adobe, you’re cut off from jobs, clients, work, because everyone uses Adobe. So you’re forced to pay in perpetuity even if you don’t want to.
Worse, if you’re a teacher, what are you supposed to teach? Well you teach Adobe, because that makes the most sense, and so you sentence your students to decades of payments to a private company.
Now multiply it all those other subscriptions. Speaking of which, how is that Pantone subscription? You can’t even open files properly now.
If you cancel Netflix, you just lose some entertainment. If you’re subbed to Adobe and cancel, it, you can’t do anything with your files. So Adobe not only owns their software, but your work as well.
In the highly unlikely scenario that this Kickstarter actually eventuates in something even remotely approaching the quality and functionality of the Adobe suite I’ll buy it then. Until then, this is not even worth the time I’ve spent writing this comment thinking about.
Just a reminder that most Kickstarters make bold claims like this and don’t follow though at all. This guy couldn’t even come up with a unique name and logo for his scam.
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Why go Kickstarter instead of the plenty of non subscription photo tools?
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I’m pretty against the SaaS model. I would like to buy a software I may use 2-4 times a month instead of paying $5 every month even if I don’t use it.
I’m also a fan of Stuart Semple and his paints.
I’m not sure what the point of this response is, but I wanted to give my two cents.
fuck adobe to the ends of the earth; their subscription thing was the most false-premise disgustingly manipulating bullshit i’ve ever seen.
i got a steady job and started renting; thinking maybe i’d even buy it if i got good. then i realized you couldn’t even buy the fucking thing! and there was “no such thing” as a monthly subscription, they just charge you monthly for a yearly subscription that is a $80 penalty to cancel [metered by how many months left]. fucking completely disgusting, parasitic horseshit that should get you tried in a military fucking tribunal in the middle of the ocean
and i got bootlickers on reddit saying this was fine!! of course it’s justified to change a yearly fee, they put it in misleading, small print when you signed up, so that’s FINE! a cancellation penalty for a FUCKING SOFTWARE DOWNLOAD
FUCK!!
I don’t work in graphics professionally, but there’s nothing I need to do that can’t be handled by Skribus and Gimp.
WRT rented software, that while model gives me the heebie jeebies. I don’t trust anything to be around forever, so I definitely want my own copy.
I don’t know about Skribus but I do know Gimp isn’t comparable to photoshop for the professionals.
There’s a learning curve, granted. The photographers I know who use Gimp prefer it. YMMV. <shrug>
I don’t doubt that those that choose to use it prefer it. What I see time and again is someone will try it, find it missing features they want/need and revert back. I encourage the use of GIMP and other FOSS where I can. It’s just not a one to one drop in.
Agreed that it’s not a drop-in replacement. I get that professionals don’t often have time to learn new software and prefer to stick with what they know. But if they have the time and motivation, they can save some money as well as supporting FOSS.
As far as photography goes, I’ve never needed anything like Photoshop or Gimp, I do fine with just Darktable and DigiKam (YMMV).
My personal preference is Seashore for Mac, but I haven’t used macOS in a few years (not entirely by choice but because my uni is largely Windows based and it became too much to keep up with how to integrate into the ecosystem).
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No, no, the existing software is imperfect, a new piece of (imperfect) software must be created to remedy to this intolerable situation. Nothing else will do.
While I understand the goal, trying to pitch it will be very difficult because this has a very interesting… uhh… chinese knockoff aura.
Good luck with the project, I’ll just stick to pirating Adobe for my very niche use cases.
Adobe succeeded with professionals. The problem is, it’s a de facto industry standard. If you’re not using Adobe, you’re cut off from jobs, clients, work, because everyone uses Adobe. So you’re forced to pay in perpetuity even if you don’t want to.
Worse, if you’re a teacher, what are you supposed to teach? Well you teach Adobe, because that makes the most sense, and so you sentence your students to decades of payments to a private company.
Now multiply it all those other subscriptions. Speaking of which, how is that Pantone subscription? You can’t even open files properly now.
If you cancel Netflix, you just lose some entertainment. If you’re subbed to Adobe and cancel, it, you can’t do anything with your files. So Adobe not only owns their software, but your work as well.
In the highly unlikely scenario that this Kickstarter actually eventuates in something even remotely approaching the quality and functionality of the Adobe suite I’ll buy it then. Until then, this is not even worth the time I’ve spent writing this comment thinking about.
Just a reminder that most Kickstarters make bold claims like this and don’t follow though at all. This guy couldn’t even come up with a unique name and logo for his scam.